SELECTED EXHIBITIONS
2023
Benthic Community Flutes Sketch 2 (Snapping and Sandy Ghost Shrimp, Swamp Scrub, Mussel) as part of Figuring Ground curated by Abbra Kotlarcyzk, Grafton Regional Art Gallery, NSW. |
2022
Little and Many Intensities, in Mega-phone Mono-Poly organised by Debris Facility Pty. Ltd., Liquid Architecture, Collingwood Yards.
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Forming Resonant Situations: Engaging the Interval in Performance and Installation, PhD exhibition, Monash University MADA Gallery, Caulfield. |
2021
Benthic community flutes Sketch 1 (Sandy Ghost Shrimp), Study Space, Brunswick. |
2020
Leaves, Hope for Resonance, Youkobo Art Space, Tokyo Japan, 22-26 January. |
2018
Beeswax Flutes 2, in 'Why Listen to Plants?' presented by Liquid Architecture/RMIT Design Hub, curated by Danni Zuvela. |
Beeswax Flutes in Groundwork, curated by Matthew Davis, Living Museum of the West/Melbourne Fringe, Maribyrnong River, September.
2016
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Shaking Sculptures in Rooms with a View curated by Emma Collard, The Substation, Newport. |
2015
widen, subtract, warm, cool, observe out, Incinerator Gallery, Garden Space, Moonee Ponds. |
that which enables and constrains what can and cannot be done or said, West Space, Melbourne. |
dispersing without fragmenting, Library at the Docks, Docklands. |
2014
exfoliated by the world, Fort Delta, Melbourne. |
2013
goop, turn, sponge, cut, stretch, berry, rain, in Does it Matter? Kings ARI 10-year exhibition curated by Anabelle Lacroix, Kings Artist Run Initiative. |
enfolding outward, Outward Projects, Launceston. |
… salt left by the waves, c3 Contemporary Art Space, Abbotsford.
2012
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becoming becoming open all-around, VCA Master of Fine Art Graduate Exhibition. |
open blankets, City of Melbourne Art Program, Young Artist Grant. |
processual rhythms, The Substation, Newport. |