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ARCHIVING Uvulah Hybrid research paper/sonic work for Queer Contexts Conference RMIT, Melbourne. November 6-7, 2024. Excerpts from Found Chance Text Works for Pipemakers Park Research paper/artist pages for Queries Journal #1. 2024. Benthic Flutes (Live) Recordings from a live sonic response made for Anatol Pitt’s exhibition All These Eyes Were Mine at Incinerator Gallery, Moonee Ponds. June 22, 2024. MELA Group show curated by Meredith Turnbull, Alta Forma, Melbourne. 2024. Benthic Community Flutes Sketch 2 (Snapping and Sandy Ghost Shrimp, Swamp Scrub, Mussel) HD video-audio work as part of Figuring Ground, group exhibition curated by Abbra Kotlarcyzk, Grafton Regional Art Gallery, NSW. 2023. Hi Spirit, Hi Matter Group exhibition, curated by Beth Sometimes, Watch This Space ARI, Mparntwe. 2023. |
Lèlè 2 乐乐 2 (Yongping Ren and Benjamin Woods) Sound and Sculptural Installation for the group exhibition (un)Home, produced by Chinese Museum Arts Collective at Testing Grounds, Melbourne. 2023. Lèlè 乐乐 (Yongping Ren and Benjamin Woods) Performance as part of Temporary Position program, Powerhouse Museum, Sydney. May 11, 2023. Tributaries Collective (with Geoff Robinson, Ying-Lan Dann, Saskia Schut) Open Natures + Open House Melbourne + City of Melbourne Arts Program event at Run Artist Run. 2023. Little and Many Intensities Solo archive performance as part of Mega-phone Mono-Poly organised by Debris Facility Pty. Ltd., Liquid Architecture, Collingwood Yards. December, 2022. Tributary Project (with Geoff Robinson, Ying-Lan Dann, Saskia Schut) Video exhibition, Composite Moving Image/BUS Projects, Melbourne. 2022. |
Forming Resonant Situations: Engaging the Interval in Performance and Installation PhD exhibition and exegesis, Monash University Department of Fine Art, MADA Gallery, Caulfield. 2022. Glass flutes Performance participation as part of Durational Situation / Monmar by Geoff Robinson, Front Beach Back Beach, Point Nepean. November, 2022. Candles and Sticks Group show curated by Manon van Kouswijk and Allona Goren, 93 George St, Fitzroy. 2022. Benthic community flutes Sketch 1 (Sandy Ghost Shrimp) HD video-audio work, finalist in Darebin Art Prize, Bundoora Homestead. 2021-2022. |
Benthic community flutes Sketch 1 (Sandy Ghost Shrimp) Study Space, Brunswick. 2021. Beeswax flutes Performance of beeswax flutes as part of Abbra Kotlarczyk’s exhibition a sonorous draft; a lexicon of windjamming, BLINDSIDE, Melbourne. June-August, 2021. |
Spacing Artist Residency, BLINDSIDE, Melbourne. 2020. Leaves, Hope for Resonance Residency exhibition, Youkobo Art Space, Tokyo Japan. 22-26 January, 2020. |
Brass Cymbals/Worker’s Garden Sounding (with Sarah Bunting) Sculpture and sonic performance in You Are Here, curated by Matthew Davis, Living Museum of the West. November, 2019. What does wearing something do? (with Meredith Turnbull) Performance as part of public program All The Jewellery, RMIT Design Hub, Melbourne. April, 2019. Bowls Performance-video in group show Queer Economies curated by Abbra Kotlarczyk and Madé Spencer-Castle, BUS Projects/CCP, Collingwood. Jan/Feb, 2019. Beeswax Flutes 2 Performance-sculpture in program Why Listen to Plants? curated by Danni Zuvela, presented by Liquid Architecture/RMIT Design Hub, Melbourne. 2018. |
Beeswax Flutes Performance-sculpture in group show Groundwork, curated by Matthew Davis, Living Museum of the West/Melbourne Fringe, Maribyrnong River. September, 2018. Wearing walking Artwork in group show Visitors curated by Meredith Turnbull and Manon Van Kouswijk for Radiant Pavilion, Sarah Scout Presents, Melbourne. August/September, 2017. Intimacy’s Spaces and Times: Bergson’s Spirit in Sculptural Processes Research paper presented in Philosophy and Creative Practice stream at Australian Continental Philosophical Society annual conference, Deakin University, Bundoora. 2016. |
Shaking Sculptures Performance-installation (for 15 people) in group program Rooms with a View curated by Emma Collard, The Substation, Newport. 2016. |
Feeling Material Exhibition (as Co-Curator and Artist) c3 Contemporary Art Space, Abbotsford. 2015. widen, subtract, warm, cool, observe out Solo exhibition, Incinerator Gallery, Garden Space, Moonee Ponds. 2015. |
that which enables and constrains... Solo exhibition, West Space, Melbourne. 2015. |
dispersing without fragmenting Solo installation, Library at the Docks, Docklands. 2015. Sweet Potato Artist Book, ISBN 978-0-9756242-0-3. West Space, Melbourne. 2015. Diary entry in Dancehouse Diary Issue 8: Dance and Ethics, Dancehouse, Melbourne. 2015. Form and Flex Group exhibition curated by Meredith Turnbull, Pieces of Eight, Melbourne. 2015. |
exfoliated by the world Solo exhibition, Fort Delta, Melbourne. 2014. Better. Faster. Stronger. (with Sarah crowEST) Melbourne Art Fair Project Space, curated by c3 Contemporary Art Space, Melbourne Royal Exhibition Building, Fitzroy. 2014. feeling material (second iteration)/A(n) as a way of viewing Performance-lecture in SPECIFIC IN-BETWEEN (the choreographic negotiated in six parts) by Helen Grogan, Australian Centre for Contemporary Art. 2014. Dummy Group exhibition, curated by Made Spencer Castle and Alice Mathieu, Mailbox ARI, Melbourne. 2014. |
Feeling Material Research paper, presented in the “New Materialism in and through Sculpture and Spatial Practice” panel convened by Barbara Bolt, AAANZ Annual Conference, VCA, Melbourne. 2013. goop, turn, sponge, cut, stretch, berry, rain Installation in group exhibition Does it Matter? Kings ARI 10-year exhibition curated by Anabelle Lacroix, Kings Artist Run Initiative, Melbourne. 2013. |
enfolding outward Residency exhibition, Outward Projects, Launceston. 2013. |
… salt left by the waves Solo exhibition, c3 Contemporary Art Space, Abbotsford. 2013. Interpreting variable arrangements Group exhibition curated by Jessie Bullivant and Isadora Vaughan, Stockholm, Sweden. 2013. |
becoming becoming open all-around Solo exhibition, VCA Master of Fine Art Graduate Exhibition. 2012. |
open blankets Public program, City of Melbourne Art Program, Young Artist Grant. 2012. |
processual rhythms Solo exhibition, The Substation, Newport. 2012. |